To order scores, contact AMP, including the name of the composer, title, number of copies, and the purchaser's name and mailing address.
A quote will be emailed for confirmation shortly thereafter. AMP Scores can be purchased through PayPal or Interac Money Transfer only.
Music by Robin de RAAFF can be obtained through Deuss Music Editions. Music by Ken UENO can be obtained through PSNY (Project Schott New York).
A quote will be emailed for confirmation shortly thereafter. AMP Scores can be purchased through PayPal or Interac Money Transfer only.
Music by Robin de RAAFF can be obtained through Deuss Music Editions. Music by Ken UENO can be obtained through PSNY (Project Schott New York).
STEENHUISEN – Anthropo (2014) 17' Trombone and live electronics
HAMEL – Full Circle (2014) trombone + interactive electronics 14'
HAMEL – Touch (2013) Piano + Interactive Electronics 15'
PRITCHARD – Rebirth (2013) alto flute, sound + video clips, and Max/MSP/Jitter audio/video
STEENHUISEN – Copralite Culture & Analysis Results #21-33 (2012) 21’ Oboe, piano, live electronics (includes some instrumental theatre)
GERVAIS – Work Around The World (2012) m-sop, laptop, perc qrt
HARLEY – Caged (2012) 10.5 min. chamber orchestra and interactive electronics
STEENHUISEN – Supplice & Demand (2011) 22‘ Mezzo-Soprano, flute, clarinet, horn, percussion, harp, pno, two violins, viola, cello, electronics
HAMEL – Scivias (2011) Chamber Ensemble + Interactive Electronics 13'
HARLEY – Breathwood (2011) 17 min. for solo bass clarinet, ensemble (8), 4-channel electronics
PRITCHARD – Washed In the Blood (2011) violin, French horn, percussion, + Max/MSP/Jitter audio/video
GERVAIS – Schizo Psycho (2011) sax, sax, tromb, perc, elec gtr, pno, video/audio projection, 7'
GERVAIS – Hockey Story (2009) pno + elec + vox 15’
HARLEY – Duol (2009) 7 min. violin, guitar, soundfiles
HARLEY – Ariel Fragments (2007) 17 min. SSSAAA choir, 8-channel electroacoustic
HAMEL – Off-ramp (2007) Elec. Gtr, Chamber Ens. + Interactive Electronics 14'
FITZELL – Metropolis (2007) [8’00] saxophone and piano; optional live electronics
FITZELL – Watermelon Soup (2007) [variable duration] one or more players (open, mixed media score)
FITZELL – airports (2007) [variable duration] acoustic instrument, live electronics, dance + projected images
FITZELL – Cartographia (2007) [variable duration] improvisatory chamber ensemble with projected images
PRITCHARD – Strength (2006) alto saxophone, audio/video clips, Max/MSP
FITZELL – evanescence (2001/2006) [11’30] flute/piccolo, clarinet/bass clarinet, violin, cello, piano, percussion) + live electronics
GERVAIS – Culture no.1 (2006) harp, pno + laptop 9’30”
HARLEY – Wild Fruits 2: like a ragged flock, like pulverized jade (2006) 11 min. amplified alto flute, live electronics, 8-channel electroacoustic
STEENHUISEN – MATERIAL/ULTRAMATERIAL (2005) 16’ Flute, clarinet/bass clarinet, percussion, piano, string quartet, soundfiles
GERVAIS – Short/Long (2005) tbn, pno, perc, laptop 11’
GERVAIS – Partial Game (2004) laptop 3’-6’
HARLEY – Wild Fruits: Installation (2004) open duration keyboard controller, sampler, stereo electroacoustic
HAMEL – Krishna’s Flute (2004) Flute + Interactive Electronics 15'
PRITCHARD – Breathe On Me (2004) concert accordion + Max/MSP/Jitter audio/video
STEENHUISEN – Les enfers éternels des gens désespérés (2003) 9' Counter-tenor, tenor, baritone, bass, and soundfile
FITZELL – clatter (2003) [17'00]
A collection of four works for subsets of a large chamber ensemble; intended for simultaneous, overlapping performance:
Bird's Nest Pudding (2003) [4'30] For large chamber ensemble
Blood on the Saddle (2003) [1'40] For double bass + percussion
rattlebox (2003) [2'10] For string quartet
wormhole (2003) [5'00] For two singers + live electronics
STEENHUISEN – Pensacola (2001/2002) 12' Orchestra, spatialized brass, computer
STEENHUISEN – recipes for the common man (2001) 10' Oboe and CD
HARLEY – Chaotika (2001) 12 min. percussion + interactive electronics
HARLEY – Anasazi: Kokopeli I (2001) 11 min. amplified piccolo + electronics
FITZELL – The Z Scherzo (2000) electric guitar + live multitrack recording 11'
STEENHUISEN – cette obscure clarté qui tombe des étoiles (2000) 4' Flute and CD
HARLEY – Jardinages - I (2000) 6 min. electric guitar + tape
HARLEY – On Frogs (2000) 13 min. reciter, interactive electronics (3 players)
STEENHUISEN – bread (1999) 9' Flute, oboe, clar, pno, trombone, tuba, strings, two percussion, & soundfiles
FITZELL – Orb of the Sun (1999) tenor saxophone; optional electronics 8' 30"
STEENHUISEN – Now Is A Creature (1997) 9' Trombone and live electronics
STEENHUISEN – wonder (1996) 16' Orchestra, tape, soprano
PRITCHARD – Escape My Soul (1996) bass flute + Max/MSP
HAMEL – Faded Memories, Faded Jeans (1995) Cl., Vc., MIDI Piano + Perc. 20'
HAMEL – Traces (1995) Clarinet + Interactive Electronics
PRITCHARD – When the walls are all screaming (1993) soprano, piano + tape
HAMEL – Obsessed Again... (1992) Bassoon + Interactive Electronics 15'
HAMEL – Ca-Non (1991) Flute/Alto Flute, MIDI Piano, Percussion + Interactive Electronics 8'
STEENHUISEN – Enclaves Intèrieures (1990) 11' Three percussionists, tape
HAMEL – WindoW (1990) Alto Saxophone + Interactive Electronics 12'
HARLEY – Night-flowering ... not even sand - I (1989) 12 min. bassoon and electroacoustic
PRITCHARD – Postcards From Our Futures (1989/2003) piano, soundfiles, + optional video
HAMEL – Thrust (1989) MIDI Grand Piano + Electronics 18'
HARLEY – Per Foramen Acus Transire (1987) 15 min. flute/bass flute and stereo electroacoustic
HAMEL – Obsessions 3 (1987) Tape + Chamber Ensemble 10'
HARLEY – Sonnet Sonore (1985) 14 min. oboe and stereo electroacoustic
HAMEL – Symposium II (1985 - revised from 1982) Perc. + Computer Tape 10'
HARLEY – Cantico delle Creature (1993) 23 min. mezzo-soprano, choir (SSAATTBB), chamber orchestra (2222/2220/3 perc/piano, celeste/22222), soundfiles
HAMEL – Land Of Shades (1982) 6 Singers + Computer Generated Tape 9'
HAMEL – Full Circle (2014) trombone + interactive electronics 14'
HAMEL – Touch (2013) Piano + Interactive Electronics 15'
PRITCHARD – Rebirth (2013) alto flute, sound + video clips, and Max/MSP/Jitter audio/video
STEENHUISEN – Copralite Culture & Analysis Results #21-33 (2012) 21’ Oboe, piano, live electronics (includes some instrumental theatre)
GERVAIS – Work Around The World (2012) m-sop, laptop, perc qrt
HARLEY – Caged (2012) 10.5 min. chamber orchestra and interactive electronics
STEENHUISEN – Supplice & Demand (2011) 22‘ Mezzo-Soprano, flute, clarinet, horn, percussion, harp, pno, two violins, viola, cello, electronics
HAMEL – Scivias (2011) Chamber Ensemble + Interactive Electronics 13'
HARLEY – Breathwood (2011) 17 min. for solo bass clarinet, ensemble (8), 4-channel electronics
PRITCHARD – Washed In the Blood (2011) violin, French horn, percussion, + Max/MSP/Jitter audio/video
GERVAIS – Schizo Psycho (2011) sax, sax, tromb, perc, elec gtr, pno, video/audio projection, 7'
GERVAIS – Hockey Story (2009) pno + elec + vox 15’
HARLEY – Duol (2009) 7 min. violin, guitar, soundfiles
HARLEY – Ariel Fragments (2007) 17 min. SSSAAA choir, 8-channel electroacoustic
HAMEL – Off-ramp (2007) Elec. Gtr, Chamber Ens. + Interactive Electronics 14'
FITZELL – Metropolis (2007) [8’00] saxophone and piano; optional live electronics
FITZELL – Watermelon Soup (2007) [variable duration] one or more players (open, mixed media score)
FITZELL – airports (2007) [variable duration] acoustic instrument, live electronics, dance + projected images
FITZELL – Cartographia (2007) [variable duration] improvisatory chamber ensemble with projected images
PRITCHARD – Strength (2006) alto saxophone, audio/video clips, Max/MSP
FITZELL – evanescence (2001/2006) [11’30] flute/piccolo, clarinet/bass clarinet, violin, cello, piano, percussion) + live electronics
GERVAIS – Culture no.1 (2006) harp, pno + laptop 9’30”
HARLEY – Wild Fruits 2: like a ragged flock, like pulverized jade (2006) 11 min. amplified alto flute, live electronics, 8-channel electroacoustic
STEENHUISEN – MATERIAL/ULTRAMATERIAL (2005) 16’ Flute, clarinet/bass clarinet, percussion, piano, string quartet, soundfiles
GERVAIS – Short/Long (2005) tbn, pno, perc, laptop 11’
GERVAIS – Partial Game (2004) laptop 3’-6’
HARLEY – Wild Fruits: Installation (2004) open duration keyboard controller, sampler, stereo electroacoustic
HAMEL – Krishna’s Flute (2004) Flute + Interactive Electronics 15'
PRITCHARD – Breathe On Me (2004) concert accordion + Max/MSP/Jitter audio/video
STEENHUISEN – Les enfers éternels des gens désespérés (2003) 9' Counter-tenor, tenor, baritone, bass, and soundfile
FITZELL – clatter (2003) [17'00]
A collection of four works for subsets of a large chamber ensemble; intended for simultaneous, overlapping performance:
Bird's Nest Pudding (2003) [4'30] For large chamber ensemble
Blood on the Saddle (2003) [1'40] For double bass + percussion
rattlebox (2003) [2'10] For string quartet
wormhole (2003) [5'00] For two singers + live electronics
STEENHUISEN – Pensacola (2001/2002) 12' Orchestra, spatialized brass, computer
STEENHUISEN – recipes for the common man (2001) 10' Oboe and CD
HARLEY – Chaotika (2001) 12 min. percussion + interactive electronics
HARLEY – Anasazi: Kokopeli I (2001) 11 min. amplified piccolo + electronics
FITZELL – The Z Scherzo (2000) electric guitar + live multitrack recording 11'
STEENHUISEN – cette obscure clarté qui tombe des étoiles (2000) 4' Flute and CD
HARLEY – Jardinages - I (2000) 6 min. electric guitar + tape
HARLEY – On Frogs (2000) 13 min. reciter, interactive electronics (3 players)
STEENHUISEN – bread (1999) 9' Flute, oboe, clar, pno, trombone, tuba, strings, two percussion, & soundfiles
FITZELL – Orb of the Sun (1999) tenor saxophone; optional electronics 8' 30"
STEENHUISEN – Now Is A Creature (1997) 9' Trombone and live electronics
STEENHUISEN – wonder (1996) 16' Orchestra, tape, soprano
PRITCHARD – Escape My Soul (1996) bass flute + Max/MSP
HAMEL – Faded Memories, Faded Jeans (1995) Cl., Vc., MIDI Piano + Perc. 20'
HAMEL – Traces (1995) Clarinet + Interactive Electronics
PRITCHARD – When the walls are all screaming (1993) soprano, piano + tape
HAMEL – Obsessed Again... (1992) Bassoon + Interactive Electronics 15'
HAMEL – Ca-Non (1991) Flute/Alto Flute, MIDI Piano, Percussion + Interactive Electronics 8'
STEENHUISEN – Enclaves Intèrieures (1990) 11' Three percussionists, tape
HAMEL – WindoW (1990) Alto Saxophone + Interactive Electronics 12'
HARLEY – Night-flowering ... not even sand - I (1989) 12 min. bassoon and electroacoustic
PRITCHARD – Postcards From Our Futures (1989/2003) piano, soundfiles, + optional video
HAMEL – Thrust (1989) MIDI Grand Piano + Electronics 18'
HARLEY – Per Foramen Acus Transire (1987) 15 min. flute/bass flute and stereo electroacoustic
HAMEL – Obsessions 3 (1987) Tape + Chamber Ensemble 10'
HARLEY – Sonnet Sonore (1985) 14 min. oboe and stereo electroacoustic
HAMEL – Symposium II (1985 - revised from 1982) Perc. + Computer Tape 10'
HARLEY – Cantico delle Creature (1993) 23 min. mezzo-soprano, choir (SSAATTBB), chamber orchestra (2222/2220/3 perc/piano, celeste/22222), soundfiles
HAMEL – Land Of Shades (1982) 6 Singers + Computer Generated Tape 9'
