UPCOMING
OCTOBER 26 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—workshop of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Eva Clare Hall, Desautels Faculty of Music, University of Manitoba, Winnipeg, Canada.
NOVEMBER 5 – PERFORMANCE: Aaron GERVAIS – Percussion for Apartments (full series premiere). Performed by Justin DeHart, Centre for New Music, San Francisco, CA.
NOVEMBER 20 – Spotlight on Keith HAMEL: Corona, Touch, Dreamer, Hocket (World Premiere) Heroes in the Seaweed. NuBC and others, Roy Barnet Recital Hall, Vancouver.
NOVEMBER 21 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—premiere of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Huddersfield Contemporary Music Festival (HCMF). Huddersfield, UK.
NOVEMBER 26 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—premiere of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Sonorities Festival, Belfast, Northern Ireland, UK.
DECEMBER 4 – PREMIERES: James HARLEY – Sonnet Quartet - oboe quartet. Catherine Lee, Free Marz Trio. TRex Remix: Le Rossignol (electroacoustic) Community Music Center. Portland, OR
MARCH 10, 2017 – PERFORMANCE: Keith HAMEL – Lullaby. performed by musica intima. Waterfall Building, Vancouver
MARCH 16–APRIL 9, 2017 — PERFORMANCES: Gordon FITZELL — Bomb Crater Garden (electric guitar quartet), Instruments of Happiness. Canadian tour: Edmonton, Halifax, Regina, Brandon, Winnipeg, Victoria, Kitchener, Montreal.
MARCH 17, 2017 – PREMIERE: Paul STEENHUISEN – New Work for Bozzini Quartet.
MAY 20, 2017 – PERFORMANCE: Keith HAMEL – Dreamer. Vancouver Symphony, VSO Annex.
OCTOBER 26 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—workshop of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Eva Clare Hall, Desautels Faculty of Music, University of Manitoba, Winnipeg, Canada.
NOVEMBER 5 – PERFORMANCE: Aaron GERVAIS – Percussion for Apartments (full series premiere). Performed by Justin DeHart, Centre for New Music, San Francisco, CA.
NOVEMBER 20 – Spotlight on Keith HAMEL: Corona, Touch, Dreamer, Hocket (World Premiere) Heroes in the Seaweed. NuBC and others, Roy Barnet Recital Hall, Vancouver.
NOVEMBER 21 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—premiere of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Huddersfield Contemporary Music Festival (HCMF). Huddersfield, UK.
NOVEMBER 26 — PERFORMANCES: Gordon FITZELL — r/evolution (solo saxophone—premiere of interactive electronics version) and Bliss Point (alto saxophone and e-bow piano), Tommy Davis, tenor saxophone; Gordon Fitzell, electronics. Sonorities Festival, Belfast, Northern Ireland, UK.
DECEMBER 4 – PREMIERES: James HARLEY – Sonnet Quartet - oboe quartet. Catherine Lee, Free Marz Trio. TRex Remix: Le Rossignol (electroacoustic) Community Music Center. Portland, OR
MARCH 10, 2017 – PERFORMANCE: Keith HAMEL – Lullaby. performed by musica intima. Waterfall Building, Vancouver
MARCH 16–APRIL 9, 2017 — PERFORMANCES: Gordon FITZELL — Bomb Crater Garden (electric guitar quartet), Instruments of Happiness. Canadian tour: Edmonton, Halifax, Regina, Brandon, Winnipeg, Victoria, Kitchener, Montreal.
MARCH 17, 2017 – PREMIERE: Paul STEENHUISEN – New Work for Bozzini Quartet.
MAY 20, 2017 – PERFORMANCE: Keith HAMEL – Dreamer. Vancouver Symphony, VSO Annex.
RECENT
OCTOBER 5 – PERFORMANCE: Paul STEENHUISEN – Copralite Culture & Analysis Results #1-20, for percussion and piano. Kovalis Duo (Roger Admiral, Philip Hornsey).
OCTOBER 2 – DOUBLE PREMIERE: Aaron GERVAIS – Puppies!!!, for trombone, bass trombone, and Don't Look At, for wind octet. Elevate Ensemble, San Francisco Conservatory of Music, San Francisco, CA.
SEPTEMBER 27 – Aaron GERVAIS: Percussion for Apartments: Conga. Performed by Roberto Migoni. Chiesa di Santa Chiara, Cagliari, Italy.
SEPTEMBER 27 – INTERVIEW: Bob PRITCHARD and Kiran BUMBER. Cycling74.
SEPTEMBER 25 – PERFORMANCE: James HARLEY – On Frogs. NoiseGate Festival, New York, NY.
SEPTEMBER 23 – PREMIERE: Robin de RAAFF – Atlantis, Oratorio for soprano, baritone, large choir and large orchestra. Muziekcentrum van de Omroep, Hilversum, Radio Filharmonisch Orkest, Groot Omroepkoor. Conductor: Markus Stenz .
SEPTEMBER 22 – PRE-PREMIERE: Robin de RAAFF – Atlantis, Oratorio for soprano, baritone, large choir and large orchestra. Muziekcentrum van de Omroep, Hilversum, Radio Filharmonisch Orkest, Groot Omroepkoor. Conductor: Markus Stenz .
SEPTEMBER 22 — PERFORMANCES: Gordon FITZELL — Pangaea Ultima (chamber ensemble) and Bliss Point (clarinet and e-bow piano), 21CME. Pan Music Festival, Culture Station Seoul 284, Seoul, South Korea.
SEPTEMBER 10 – PERFORMANCES: Gordon FITZELL — Pangaea Ultima (chamber ensemble) and Bliss Point (clarinet and e-bow piano), 21CME. Pan Music Festival, Performing Arts Theatre, Daejeon, South Korea.
JUNE 24 & 25 – PERFORMANCE: Ken UENO – Secret Meridian performed by the Paul Dresher Ensemble Electro-Acoustic Band and Amy X Neuburg, Z Space, San Francisco, CA.
JUNE 21 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . France tour, Rosas, Ictus .
JUNE 17 – PERFORMANCE: Aaron GERVAIS – Prescription Drug Nation: 3-movement music preview. Performed by Mobius Trio, Center for New Music, San Francisco, CA.
JUNE 12 – PERFORMANCE: Robin de RAAFF – Fanfare. Vondelpark, Amsterdam. NedPhoBrass, conductor: Marc Albrecht .
JUNE 12 – PERFORMANCE: Ken UENO – Future Lilacs. PRISM Saxophone Quartet and the Partch Ensemble. Roulette, Brooklyn.
JUNE 11 – PREMIERE: Ken UENO – Future Lilacs. PRISM Saxophone Quartet and the Partch Ensemble. Kimmel Centre for the Performing Arts, Perelman Theatre, Philadelphia.
JUNE 11 – PERFORMANCE: Robin de RAAFF – Fanfare. Majaella Church, Amsterdam. NedPhoBrass, conductor: Marc Albrecht .
MAY 25 – PERFORMANCE: Robin de RAAFF – Symphony No 1 "Tanglewood Tales", De Doelen, Grote Zaal, Rotterdam . Orchestre de Picardie and Doelen Ensemble. Conductor: Arie van Beek
MAY 17 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter PhasesChoreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Cité de la musique, Paris .
MAY 13 – PERFORMANCE: Aaron GERVAIS – Regent Park Songbook. Salon 21/Soundstreams. Gardiner Museum, Toronto.
APRIL 29 – PREMIERE: Aaron GERVAIS – Break Up Make Up. Performed by Turning Point Ensemble and the Nu:BC Collective. Chan Centre, Vancouver.
APRIL 25 – PERFORMANCE: Aaron GERVAIS – Sensational Revolution. Performed by Sarah Jo Kirsch and Maddie Hildebrand, Prairie 360, Winnipeg, MB.
APRIL 20 – PREMIERE: Paul STEENHUISEN – Green Tara. Kathleen Corcoran, soprano, Roger Admiral, piano. Camrose, Alberta.
APRIL 17 – PERFORMANCE: Gordon FITZELL – evanescence. Standing Wave Ensemble, VSO Annex, Vancouver.
APRIL 3 – PREMIERES: Keith HAMEL – Dreamer; Paul STEENHUISEN – Vajrayana Tantra Shift. Performed by New Music Concerts, with Robert Aitken, conductor. Betty Oliphant Theatre, Toronto.
MARCH 29 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Lorne Watson Recital Hall — Brandon University.
MARCH 23 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Chapelle historique du Bon-Pasteur, Montréal.
MARCH 18 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. NME, Holy Trinity Anglican Church, Edmonton.
MARCH 12 – PERFORMANCE: Gordon FITZELL – r/evolution (solo saxophone), performance by Tommy Davis, North American Saxophone Alliance Biennial Conference (NASA). Texas Tech University, Lubbock, Texas.
MARCH 11 – PERFORMANCE: Paul STEENHUISEN – Jeu de Téléphone. William H. Street & Charles Stolte. North American Saxophone Alliance Biennial Conference (NASA). Texas Tech University, Lubbock, Texas.
MARCH 8 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Music on Main. Fox Cabaret, Vancouver.
MARCH 3 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Chapel Performance Space — Good Shepherd Center, Seattle.
FEBRUARY 28 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Centre for New Music, San Francisco.
FEBRUARY 25 – PERFORMANCE: Gordon FITZELL – evanescence (chamber ensemble and live electronics), performed by Standing Wave Ensemble, Vancouver Symphony Orchestra New Music Festival, Commodore Ballroom, Vancouver.
FEBRUARY 24 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. REDCAT, Los Angeles.
FEBRUARY 23 – PERFORMANCE: Robin de RAAFF – Fanfare. Mirliton Theater, Utrecht. NedPhoBrass, conductor: Marc Albrecht .
FEBRUARY 20 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. New Works Calgary.
FEBRUARY 6 – PERFORMANCE: Ken UENO – On a Sufficient Condition for the Existence of Most Specific Hypothesis (concerto for overtone singer). Ken Ueno, voice, Camellia Symphony Orchestra, Christian Baldini, cond. Sacramento, CA.
FEBRUARY 6 – PERFORMANCE: Robin de RAAFF – Orphic Descent Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Maison de la musique, Nanterre .
FEBRUARY 5 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Maison de la musique, Nanterre .
FEBRUARY 5 – PERFORMANCES: Keith HAMEL – Heroes in the Seaweed, Bob PRITCHARD – Homesick. Performed by the PEP project: Corey Hamm and Nicole Ge Li, 7:30, Roy Barnett Recital Hall, UBC.
FEBRUARY 4 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Roulette, Brooklyn.
OCTOBER 5 – PERFORMANCE: Paul STEENHUISEN – Copralite Culture & Analysis Results #1-20, for percussion and piano. Kovalis Duo (Roger Admiral, Philip Hornsey).
OCTOBER 2 – DOUBLE PREMIERE: Aaron GERVAIS – Puppies!!!, for trombone, bass trombone, and Don't Look At, for wind octet. Elevate Ensemble, San Francisco Conservatory of Music, San Francisco, CA.
SEPTEMBER 27 – Aaron GERVAIS: Percussion for Apartments: Conga. Performed by Roberto Migoni. Chiesa di Santa Chiara, Cagliari, Italy.
SEPTEMBER 27 – INTERVIEW: Bob PRITCHARD and Kiran BUMBER. Cycling74.
SEPTEMBER 25 – PERFORMANCE: James HARLEY – On Frogs. NoiseGate Festival, New York, NY.
SEPTEMBER 23 – PREMIERE: Robin de RAAFF – Atlantis, Oratorio for soprano, baritone, large choir and large orchestra. Muziekcentrum van de Omroep, Hilversum, Radio Filharmonisch Orkest, Groot Omroepkoor. Conductor: Markus Stenz .
SEPTEMBER 22 – PRE-PREMIERE: Robin de RAAFF – Atlantis, Oratorio for soprano, baritone, large choir and large orchestra. Muziekcentrum van de Omroep, Hilversum, Radio Filharmonisch Orkest, Groot Omroepkoor. Conductor: Markus Stenz .
SEPTEMBER 22 — PERFORMANCES: Gordon FITZELL — Pangaea Ultima (chamber ensemble) and Bliss Point (clarinet and e-bow piano), 21CME. Pan Music Festival, Culture Station Seoul 284, Seoul, South Korea.
SEPTEMBER 10 – PERFORMANCES: Gordon FITZELL — Pangaea Ultima (chamber ensemble) and Bliss Point (clarinet and e-bow piano), 21CME. Pan Music Festival, Performing Arts Theatre, Daejeon, South Korea.
JUNE 24 & 25 – PERFORMANCE: Ken UENO – Secret Meridian performed by the Paul Dresher Ensemble Electro-Acoustic Band and Amy X Neuburg, Z Space, San Francisco, CA.
JUNE 21 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . France tour, Rosas, Ictus .
JUNE 17 – PERFORMANCE: Aaron GERVAIS – Prescription Drug Nation: 3-movement music preview. Performed by Mobius Trio, Center for New Music, San Francisco, CA.
JUNE 12 – PERFORMANCE: Robin de RAAFF – Fanfare. Vondelpark, Amsterdam. NedPhoBrass, conductor: Marc Albrecht .
JUNE 12 – PERFORMANCE: Ken UENO – Future Lilacs. PRISM Saxophone Quartet and the Partch Ensemble. Roulette, Brooklyn.
JUNE 11 – PREMIERE: Ken UENO – Future Lilacs. PRISM Saxophone Quartet and the Partch Ensemble. Kimmel Centre for the Performing Arts, Perelman Theatre, Philadelphia.
JUNE 11 – PERFORMANCE: Robin de RAAFF – Fanfare. Majaella Church, Amsterdam. NedPhoBrass, conductor: Marc Albrecht .
MAY 25 – PERFORMANCE: Robin de RAAFF – Symphony No 1 "Tanglewood Tales", De Doelen, Grote Zaal, Rotterdam . Orchestre de Picardie and Doelen Ensemble. Conductor: Arie van Beek
MAY 17 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter PhasesChoreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Cité de la musique, Paris .
MAY 13 – PERFORMANCE: Aaron GERVAIS – Regent Park Songbook. Salon 21/Soundstreams. Gardiner Museum, Toronto.
APRIL 29 – PREMIERE: Aaron GERVAIS – Break Up Make Up. Performed by Turning Point Ensemble and the Nu:BC Collective. Chan Centre, Vancouver.
APRIL 25 – PERFORMANCE: Aaron GERVAIS – Sensational Revolution. Performed by Sarah Jo Kirsch and Maddie Hildebrand, Prairie 360, Winnipeg, MB.
APRIL 20 – PREMIERE: Paul STEENHUISEN – Green Tara. Kathleen Corcoran, soprano, Roger Admiral, piano. Camrose, Alberta.
APRIL 17 – PERFORMANCE: Gordon FITZELL – evanescence. Standing Wave Ensemble, VSO Annex, Vancouver.
APRIL 3 – PREMIERES: Keith HAMEL – Dreamer; Paul STEENHUISEN – Vajrayana Tantra Shift. Performed by New Music Concerts, with Robert Aitken, conductor. Betty Oliphant Theatre, Toronto.
MARCH 29 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Lorne Watson Recital Hall — Brandon University.
MARCH 23 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Chapelle historique du Bon-Pasteur, Montréal.
MARCH 18 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. NME, Holy Trinity Anglican Church, Edmonton.
MARCH 12 – PERFORMANCE: Gordon FITZELL – r/evolution (solo saxophone), performance by Tommy Davis, North American Saxophone Alliance Biennial Conference (NASA). Texas Tech University, Lubbock, Texas.
MARCH 11 – PERFORMANCE: Paul STEENHUISEN – Jeu de Téléphone. William H. Street & Charles Stolte. North American Saxophone Alliance Biennial Conference (NASA). Texas Tech University, Lubbock, Texas.
MARCH 8 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Music on Main. Fox Cabaret, Vancouver.
MARCH 3 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Chapel Performance Space — Good Shepherd Center, Seattle.
FEBRUARY 28 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Centre for New Music, San Francisco.
FEBRUARY 25 – PERFORMANCE: Gordon FITZELL – evanescence (chamber ensemble and live electronics), performed by Standing Wave Ensemble, Vancouver Symphony Orchestra New Music Festival, Commodore Ballroom, Vancouver.
FEBRUARY 24 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. REDCAT, Los Angeles.
FEBRUARY 23 – PERFORMANCE: Robin de RAAFF – Fanfare. Mirliton Theater, Utrecht. NedPhoBrass, conductor: Marc Albrecht .
FEBRUARY 20 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. New Works Calgary.
FEBRUARY 6 – PERFORMANCE: Ken UENO – On a Sufficient Condition for the Existence of Most Specific Hypothesis (concerto for overtone singer). Ken Ueno, voice, Camellia Symphony Orchestra, Christian Baldini, cond. Sacramento, CA.
FEBRUARY 6 – PERFORMANCE: Robin de RAAFF – Orphic Descent Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Maison de la musique, Nanterre .
FEBRUARY 5 – PERFORMANCE: Robin de RAAFF – Orphic Descent. Re-Creation of Counter Phases: Choreography: Anne-Teresa De Keersmaeker; Film: Thierry De Mey . Maison de la musique, Nanterre .
FEBRUARY 5 – PERFORMANCES: Keith HAMEL – Heroes in the Seaweed, Bob PRITCHARD – Homesick. Performed by the PEP project: Corey Hamm and Nicole Ge Li, 7:30, Roy Barnett Recital Hall, UBC.
FEBRUARY 4 – PERFORMANCE: Paul STEENHUISEN – Library on Fire. Lori Freedman, bass clarinet. Roulette, Brooklyn.
JANUARY 27 – PERFORMANCE: Ken UENO –An Idea of Order. Randall Harlow, organ. Stanford, CA.
JANUARY 24 – OPERA WORKSHOP: Aaron GERVAIS – The Harvester, University of Ottawa.
JANUARY 22 – WORKSHOP: Aaron GERVAIS – The Harvester. Gallery 345, Toronto.
JANUARY 21-22 – PERFORMANCES: Gordon FITZELL – Elea (violin, cello, piano), Entropy (piano ten hands), violence (chamber ensemble); performance by the Brandon University New Music Ensemble; Megumi Masaki, director; BU New Music Festival, Lorne Watson Recital Hall, Brandon, Manitoba,
JANUARY 15 IMPROVISATION: Ken UENO – w/Matt Ingalls. Center for New Music, San Francisco, CA.
JANUARY 8 – PERFORMANCE: Ken UENO – I screamed at the sea until nodes swelled up, then my voice became the resonant noise of the sea. Gregory Oakes, clarinet. New Music Gathering, Peabody Conservatory, Baltimore, MD.
JANUARY 24 – OPERA WORKSHOP: Aaron GERVAIS – The Harvester, University of Ottawa.
JANUARY 22 – WORKSHOP: Aaron GERVAIS – The Harvester. Gallery 345, Toronto.
JANUARY 21-22 – PERFORMANCES: Gordon FITZELL – Elea (violin, cello, piano), Entropy (piano ten hands), violence (chamber ensemble); performance by the Brandon University New Music Ensemble; Megumi Masaki, director; BU New Music Festival, Lorne Watson Recital Hall, Brandon, Manitoba,
JANUARY 15 IMPROVISATION: Ken UENO – w/Matt Ingalls. Center for New Music, San Francisco, CA.
JANUARY 8 – PERFORMANCE: Ken UENO – I screamed at the sea until nodes swelled up, then my voice became the resonant noise of the sea. Gregory Oakes, clarinet. New Music Gathering, Peabody Conservatory, Baltimore, MD.
